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About the artist
Jessica Eaton (b. 1977, Regina, Saskatchewan) received her BFA from the Emily Carr University in Vancouver. Solo exhibitions include Wild Permutationsat the Museum of Contemporary Art in Cleveland; Flash: Jessica Eaton at the California Museum of Photography, Riverside; and Ad Infinitum, The Photographers’ Gallery, London. Eaton was selected for the 2017 iteration of the Canadian Biennial, and her work was exhibited at the National Gallery of Canada. Eaton has been featured in numerous group exhibitions, including Under Construction – New Positions in American Photography, Foam Fotografiemuseum, Amsterdam; Process and Abstraction at the Cleveland Museum of Art’s Transformer Station; Color Acting: Abstraction Since 1950 at the Museum of Fine Arts, St. Petersburg, FL; Québec Triennialat the Musée d'art contemporain de Montréal; Photography is Magic, Daegu Photography Biennale; and Phantasmagoria at Presentation House Gallery, Vancouver. Eaton was nominated for the prestigious Sobey Art Award in 2016. Notable press includes The New York Times, The New Yorker, Art in America, ARTnews (cover) and The Guardian. Her work can be found in the public collections of the National Gallery of Canada and the Musée d'art contemporain de Montreal, among others. Jessica Eaton lives and works in Montreal. Jessica Eaton shapes her latest artistic output “in camera” through multiple exposures and the use of different colored filters. In two new works, cfaal 276 and cfaal 279 the tactile, present nature of the work is exemplified through lush details of textured wood grain and large brush strokes radiantly depicted under added colors, their reflections offering up an engaging dimensionality to the work. Bold, vibrant angels energetically cut across space in Jessica Eaton’s Tri/Colour/Angles work, the moment of potential, surprise and experimentation revealed at their aligning points. The use of the artist’s studio as laboratory further expands in Eaton’s Interpolation Dramatizations and RGB Weaves – the artist’s analogue take on a digital solution. Through multiple exposures Eaton uses blur and stepped exposures to symbolize the bicubic smoother or Nearest Neighbor - interpolations algorithms used by imaging software such as Photoshop. Eaton’s process and the fascinating result is a conversation with the world, navigating the forces of time and space the viewer is presented with a striking sense of possibility.
- Artist Name: Jessica Eaton
- Follow: @jessicaeat
- Purchased From: M+B Gallery
- Shipping From: New York, NY, USA
- Damage: No
- Frame: This work is framed
Bid on this Piece
- Final Bid:
- $200. AUCTION ENDED
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